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Friday

05.17.2013 De-thatching of the Soul


Just because I haven't been writing doesn't mean that I haven't been thinking of you.  I have.  But since January I've been caught up in a big new project and I hadn't quite figured out how to tell you about it.

The right metaphor occurred to me this afternoon as I was playing in the yard de-thatching.  (Some would call it work, but I love to de-thatch.)

And that's exactly it -- I've been de-thatching my psyche.

What a nice noun: psyche  |ˈsīkē| the human soul, mind, or spirit; from Greek psukhē ‘breath, life, soul.’   Sigh.  And what a complicated, messy place it can become after 50 years or so.

My father's death just before Christmas fractured the mask of forced cheeriness that I've sheltered behind for years.

If you've stopped by the blog before you'll recall that 2011 was a year of treatments and surgeries for rectal cancer. 2012 was a year of physical recuperation. 2013 thus far has been devoted to psychic recuperation.

Post Traumatic Stress Disorder. Depression. Insomnia. Irritable Bowel Syndrome. Yuk.

Re-claiming my life from the above has become a fulltime job.  Physical therapy with an emphasis on myofascial release/unwinding; psychotherapy with an emphasis on the Eye Movement Desensitization and Reprocessing (EMDR) modality;  exercise -- pilates, yoga, gyrokenisis and I'm riding and running again; meditation; dietary changes based on ayurvedic principles (just starting this).

And -- visual journaling.  It ties all of the above together. And more.

I started in late January and have created nearly twenty mixed media spreads, filling one book and then making and starting another. Each spread is a combination of writing, painting and collage.  Some spreads are based on prompts from a mentor or a therapist, some are based on dreams. Others, well, they just demand to be done.

This is the first spread I started on January 21 (it's still not finished, and that's the beauty of the process, time is as important a tool as pen or paint).


And this is a spread I started earlier this week.



This form of expression and exploration is raw. Messy. Not for the faint of heart be you artist or viewer.

Will I be sharing more images?  Perhaps.  This is a deeply personal and powerful process.  But I've discovered that sharing the images in a safe, respectful environment and receiving feedback helps rake out yet more of that tightly knotted psychic matter.

And that's what made me think of de-thatching.  The heavy rake with those knife-like tine/blades is actually a finesse tool.  It's most effective when used gently on the lawn, small little strokes, repeated time and again, bringing up masses of dead grass that you just don't see at a glance.

At a glance my front lawn looked just fine. Normal. Green, pretty even. But an accumulation of grass clippings becomes detrimental -- a barrier to light, water and air. The lawn barely gets by, slowly dying off.  But when I invest the time and energy to de-thatch... air, light, water and nutrients reach the roots of the grasses. They thrive.

Is this too much of a stretch as a metaphor?  No.  Unprocessed memories and  emotions form dense layers of decaying material which deny a soul the nourishment it needs to grow and thrive.  I'll be raking for quite a while...  So when it is quiet around here, you know that hard work is being done.  Slowly, steadily starting to thrive again.

Namaste ~ Lynn

PS -- work on new sculpture also continues, and I've just begun fine tuning the master resin for Vata -- he'll soon be available to order :-)



03.15.2013 Idus



March 15, the Ides of March, 2013 

Looking past its association with Julius Caesar, this can also be thought of as a day for celebrating a New Year -- March was the first month of the year in ancient Roman times. We’re now moving from a New Moon to the Vernal Equinox; spring, is only days away.

Renew. Rejuvenate. Reawaken. Revivify. 

At age 51, after a year of treatments for cancer followed by a year of recovery which was as much about psychology as physiology, I am physically leaner than ever and nearly as strong again as that day, now two years and one day past, when I began a series of aggressive chemotherapy and radiation treatments to reduce the size of my tumor before surgery.  

My spirit is in flux between strength and fragility. I’m learning to achieve balance there just as I have learned to balance for minutes at a time on my sitz bones. In truth, not meditating so much as mulling. 

Practice. Patience. Persistence.  

Isn’t this what I tell students to apply to their sculpting skills?  Yes.

And also Passion.

It has been quiet here on the blog for many weeks as I explore a renewed life through my body (physical therapy and movement) my mind/spirit (psychological therapy and meditation) and my art/expression with sculpting, visual journaling and writing about the dreams and feelings that surface in quiet darkness, when the chatter of my “keep busy” monkey brain no longer demands my full attention. 

Of course I will continue to sculpt horses.  That is not "what I do", but *who* I am.  

Literally.

The introspection and exploration of the late has shown me that just about every sculpture I have created in the past dozen years is a self portrait.  Not of physical features of course, but of emotional states and processes.  

Vata is finished.  Today I’ll take him out to Barry to have a waste mold made of him.

Vata, back in January, not quite as finished as he is today, but you get the idea...





Sunday

01.06.13 Sharing 3,681 miles and 37 photos




 
Barry drives, I take photos. What can I say, it works for us.


Dec. 26, 2012  Sweetzer Pass, Idaho
Dec. 26, 2012, the aptly named Snowville, Utah
Dec. 26, 2012, northern Utah
Dec. 27, 2012, east of Evanston, Wyoming
Dec. 27, 2012, shepard in central Wyoming

Dec 27, 2012, west of Laramie, Wyoming
Dec. 27, snow fences west of Laramie, Wyoming
Dec. 27, just west of Laramie, finally sunshine!
Dec. 27, 2012, east of Laramie, Wyoming, blowing hard still
Dec. 27, 2012 sundog in western Nebraska
Dec. 27, 2012 late afternoon sun in western Nebraska
Dec. 27, 2012  late afternoon in western Nebraska
Dec. 27, 2012 full moon rising east of Sidney, Nebraska
Dec 28, 2012, just west of Lincoln, Nebraska
Dec. 28 2012 morning light on drifts in Nebraska
Dec. 28, 2012 Snowy land dissolving into snowy sky, eastern Iowa 
Dec. 28, 2012, eastern Iowa


___________________________________________


January 1, 2013, Peoria, Illinois, a beautiful day to start our drive home to Idaho
Louis Sullivan's 1914 masterpiece known as the "Jewel Box".  Only three miles north of I-80 in Grinnell, Iowa.  Always meant to stop before but was in too much of a rush.
January 1, 2013, Grinnell, Iowa
January 1, 2013, detail of sculpture that greets visitors to the "Jewel Box"
Jan. 2, 2013, Red Oak, Iowa, visiting my maternal great grandparents. Always meant to stop, seemed like the perfect trip to do so.

Jan. 2 2013, north of Red Oak, Iowa
Jan. 2, 2013, sunset, central Nebraska
Jan. 2, 2013, sunset, central Nebraska
Jan. 3, 2013, sunrise, just west of North Platte, Nebraska
Jan. 3, 2013, sunrise, just west of North Platte, Nebraska
Jan. 3, 2013, first glimpse of Rocky mountains from near the Nebraska/Wyoming border.  Such a welcome sight -- we've never seen them from this far away before, the air was crystal clear.

Coal Creek Coffee in Laramie, Wyoming.  We always stop, best coffee west Iowa City, that we've found.
Jan. 3, 2013, vastness west of Laramie, Wyoming
Jan. 3, 2013, icy sage land between Rawlings and Rock Springs, Wyoming
Jan. 3, 2013, northern Utah, just south of Idaho border. 
Jan. 3, 2013   Home. 200 miles to go, but home relatively speaking.
Jan. 3, 2013, southern Idaho
Jan. 3, 2013, Still some weather/road challenges over Sweetzer Pass
And then it cleared...
Jan. 3, 2013, sunset in southern Idaho, near Twin Falls.
Sunrise in Nebraska to sunset/home in Idaho, 13.5 hours.




Saturday

01.05.13 “The gloom of the world...”


"The gloom of the world is but a shadow;
behind it, yet within our reach, is joy.” 
Fra Giovanni Giocondo


On January 1, 2013, I had the pleasure of of visiting my childhood home in Illinois. The new owner welcomed Barry and I warmly, sharing how she has updated the property to fit her needs; a great new kitchen, revived hardwood floors, lovely new colors for the walls, and lots of work in the yard.  But out back my family's favorite tree, a stalwart old ash, still stands. My parents would be happy, pleased by the great love and care that has been lavished on the house they built in 1958.  My father loved landscaping the large yard, my mother loved the privacy the trees and sloped setting cocooned her with.

I speak of them both in the past tense now: my mother passed away four years ago; my father, just two weeks ago on the first day of winter.

His passing prompted a 3,681 mile winter road trip to to central Illinois and back again during the holidays. Trust me, we hadn't planned to spend a snowy New Year's Eve in Peoria. But 2013 dawned shiny and bright. The visit to the old house and meeting its vivacious new owner reassured me that all is well and as it should be.

Welcome 2013
Offering a belated toast to friends and family
and warm wishes for your health and happiness
~ Lynn and Barry








Tuesday

12.11.12 The tale of the mane and tail that became my main obsession


He's finally done -- Peppy Poco ChaCha.

As you might have noticed, it took much longer than I thought it would.  When I started on this little diversion of a project, back in January, I thought this would be easily completed within a couple of months.  Right.  Sigh. 

Then I got all excited in August when I finished the main sculpture and Barry made a waste mold so that I could have a hard resin master to work on.  Just add a mane and tail.  No big deal.   Right...  Sigh...

Except it turned out that the tail had to be carefully designed as a support and balance structure.  Just a wee bit of engineering. That was the last blog entry. In September.  Sigh...

Since then tale of the mane and tail has become my main obsession.

Quite often, I have been disdainful of manes and tails as a sculptor. Especially manes.  They only cover up all that gorgeous neck structure that I love so well.   And, let's face it, other artisans like to customize manes and tails to create a unique piece, so why not make it easy for them by not having a cascade of mane that will just be dremelled off anyway. (Is "dremel" officially a verb yet?  If so I suppose I can properly use a past-tense version...) So for the past few years I've kept manes pretty sparse. 

But now I was faced with a dynamic sculpture demanding that a complete story about movement be told. Where did that movement begin?  Where is it going? How fast?  

Beyond depicting the structure of bone and exertion of muscle and what visual element do you have to work with? Hair. Long silky hair.  

Well, doh.




I think there's a nice flow when all's said and done.  

But how did we get here?  Lot's of layers:











A note here about the tail.  I started out being very swirly and curly, a highly dynamic sculpture in it's own right.  But that didn't work with the overall design of the piece.  Too busy, too eye-pokey for an area of the sculpture that is intended to depict a pivot point.  It was more show than flow.  In the end the idea of "Flow" won out. 





Peppy Poco ChaCha will be available for order starting tomorrow, December 12, 2012.  Newsletter subscribers will receive an alert later tonight with more details.

Happy Holidays ~ Lynn







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